Authentic Assertions, Commercial Concessions: Race, Nation, and Popular Culture in Cuban New York City and Miami, 1940-1960.
Christina D. Abreu
“Authentic Assertions, Commercial Concessions” examines the relationship between popular black and white Cuban entertainers and the Cuban communities and broader Latino/a publics of New York City and Miami in the 1940s and 1950s. It uses the stories told by some of the key Cuban participants in the